Special Features
Digital cameras offer a number of special features that offer exciting
creative possibilities. These include support for panoramas, black & white
pictures, and the ability to shoot a series of pictures instead of just one.
None of these features is difficult to use so you should give them a try.
Although panoramic photographs have been taken in sections and pasted
together for years, it was the development of computer software that made
seamless panoramas possible with a regular camera.
To create a seamless panorama with a digital camera, you begin by
capturing a series of images around a single point of rotation, the optical
centre of the lens. Later, you stitch these views together with software.
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Here are three
images taken in sequence. |
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Here the three
images have been stitched together into a single panorama. |
Basic Techniques
There are a few important ingredients in getting good panoramic images.
- Zooming the lens to a wide angle requires fewer
pictures to cover the same view but make things appear smaller and more
distant.
- When photographing a horizontal or vertical
sequence, stand in the same position and rotate the camera.
- When photographing documents, centre the camera over
each section and keep it at the same height for each shot.
- Holding the camera vertically for horizontal
panoramas gives you more height in the images but requires more images to
cover the same horizontal area.
- The camera should be as level as possible as you
take the pictures. In a 360-degree pan, the first and last images must
"connect" and overlap.
- The images should overlap by 30-50% horizontally and
not be out of vertical alignment by much more than 10%.
- Avoid placing subjects that move in overlapping
areas and don’t combine nearby objects in the same scene as distant ones
or they will be distorted.
- Place a distinctive subject in each overlapping area
to make it easy for the software to know how to combine the images.
Exposure and colour balance
The software you use to stitch images together can even out the lighting
in a scene but it helps if you give it good images to work with. When taking
panoramas some cameras let you use autoexposure lock to ensure that exposure
and white balance are consistent throughout the series of images. The
settings are locked in at those used for the first image in the series after
turning on panoramic mode.
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Here's a
panorama stitched together from a series of handheld images. I waited
until the prayer so everyone was motionless. |
Try to avoid extremes in lighting. These occur on bright sunny days when
there are bright highlights and dark shadows. The problem is compounded
because you may have to shoot some of the pictures into the sun. If you can
pick your time, pick a day when it's cloudy bright—overcast but with slight
shadows on the ground. If the sun is out, shoot at midday to keep the
lighting even. If you have to shoot at other times, position the camera so
direct sunlight is blocked behind a tree or building when photographing in
its direction. When shooting indoor panoramas, set up the camera to avoid
shots of windows with direct sun shining through.
How To: Taking Panoramas
Look in your camera manual for a section on panoramas
or exposure lock. |
For years, photographers in the fine arts, such as Ansel Adams, have
taken black and white pictures almost exclusively. If you want to work in
the same medium, some cameras let you shoot in black and white as well as
colour. This mode is also useful if the photograph is going to be printed in
black and white. One advantage of this mode is that black and white images
don’t have to be compressed as much as colour pictures so their image
quality is actually higher.
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One of the
masters of black & white photography was Ansel Adams, shown here
discussing his books with Tim Hill of New York Graphic Society when we
were in Carmel working on his new books. |
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Black and white
images have a quality all their own. |
How To: Shooting in Black & White
Look in your camera guide for a section on black and white
or grey scale photography. When taking pictures in
black and white, they are displayed on the LCD monitor in that format.
This makes it much easier to visualize the end result. |
With digital cameras, you normally take one photo at a time, but you’re
not limited to that way of shooting. You can also capture sequences of
photos. In this continuous mode, you just hold down the shutter-release
button and images are captured one after another. You can then choose the
best image from the sequence or use all of them to create animations on your
computer.
In most cases, the camera uses a smaller image size, such as 640 x 480 or
smaller, to take sequences. This reduces the processing needed so you can
take images at a faster rate.
When shooting in continuous mode, you’ll take pictures more quickly if
the light is brighter. You may get your best results in bright sunlight.
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This sequence
was taken in continuous mode on a bright sunny day. If you look closely,
you’ll see that the excavator’s boom is moving out during the sequence. |
There are programs that convert a series of images into an animated GIF.
When posted on the Web, the images are quickly displayed one after the other
like frames in a movie. One shareware program you can use is
GIF Construction Set.
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This is a huge
animated GIF put together with GIF Construction Set |
How To: Using Multi-shot Photography
Look in your camera guide for a section on continuous,
sequential, or multi-shot photography. |
A number of digital cameras can capture short movies that you can then
play back on the camera's monitor or TV screen, post on a Web page, or
attach to an e-mail. The cameras vary in their ability to capture video
clips in a number of respects:
- Not all can capture sound along with the video.
- The length of movies is either set to a specific
time or the capacity of the storage device being used.
- The frame rate may vary between 15 and 30 or so
frames per second.
- The size of the frames may be dramatically reduced,
perhaps as small as 160 x 120 or 320 x 240.
- Movies are saved in a variety of formats including
avi, jpeg, and QuickTime movie format (.mov).
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